What happens when two generations, two societies, and two completely different political realities collide in a single visual language? The project Back to 1969, but make it Polish combines iconic images from the legendary Woodstock Festival of 1969 with images from the first five Polish Woodstock festivals of the 1990s. This creates a visual dialogue between two historical moments that differ greatly in terms of aesthetics, culture, and politics. Woodstock 1969 was a symbol of freedom, protest, and the spirit of the hippie movement. Twenty-six years later, in 1995, the Woodstock Festival experienced a rebirth in Poland, but in a completely different context—after the fall of communism, thousands of young people gathered to discuss issues such as freedom and identity, but under the new conditions of a post-communist society. The images from 1969, often characterized by idealism, togetherness, and a strong sense of hope for a better world, contrast with the Polish Woodstock images of the 1990s, which are shaped by a generation that is just discovering freedom. The collages become not only a visual experiment showing how the ideals of freedom, protest, and community have changed over time, but also a platform for exploring the Polish music scene. The project connects the past and present of the Woodstock movement. It becomes clear how the struggle for freedom and social change takes different forms depending on time and place—and yet is united by a common longing.