The project is based on the design and concept of Isotype, the Viennese method of pictorial statistics developed by Otto Neurath and Gerd Arntz from 1925 onwards. Isotype is an internationally understandable sign and symbol language that makes complex content accessible to people with low levels of education through simple graphic representations. It provides insights into economic relationships and offers information about societal, social, and political circumstances. With the help of figurative constructivism, Neurath and Arntz wanted to have a direct impact on society. Arntz, in particular, always took a critical view of the social connections between capitalism and war. In terms of content, the student addressed the need for a united working class in this project. This is based on the theory that workers' struggles must be connected globally. It needs a strong local base in order to spread internationally and destroy capitalism. The struggle for liberation is international and can only be fought together, as a united class. This requires not only solidarity on a theoretical basis, but also militant practice on a supranational level. “At that time, there was indeed still hope that the upper class would be swept away, and this hope rested on the workers.” ¹ He wanted to create ‘teaching images’ that indicated the next tasks, ‘barracks occupations, factory occupations, and such things,’² said Gerd Arntz in an interview in 1980.