This thesis deals with the censorship of nudity in works of art. From the Stone Age to contemporary illustrations, the works are analyzed both graphically and from an art history perspective. The theme of concealment is addressed in the layout through the stapled binding on the right-hand side of the pages, which allows the viewer to see the initially hidden images in full by unfolding the pages. In this way, the usual method of censorship is not reproduced, as is so often the case, but broken up. The recessed areas of the text echo the naked body parts in the artworks, creating a link between text and image.