Richard Paul Lohse worked with regimented methods as early as the 1940s and applied them to his art. He created modular and serial fields of color that develop their dynamic only through their strict systematics and give the viewer the impression of movement. Paintings that today would be called programs. Lohse conceived what exists today. What would happen if we applied the rules he laid down decades ago to design with new technologies? What happens if we change one or more of the parameters of his paintings or transfer them to free forms of expression? Are we more efficient, even more creative, through strict systems, or do we feel restricted? The students analyzed selected works by Lohse and experimented with the methods and rules inherent to them. It was an attempt to transfer Richard Paul Lohse's thought model and design methods to the present day and to generate independent designs from them.