With his poster series, the student wants to counteract the consensus of a work ethic geared towards self-optimization. A work by the Zurich artist duo Peter Fischli and David Weiss from 1991 is the antagonistic starting point. In How To Work Better, Fischli and Weiss set out ten rules for goal-oriented work. Inspired by a work instruction discovered in a Thai factory, they developed their monumental typographic counterpart for the facade of a Zurich office building, which has also adorned a façade in Manhattan since 2016. In a parallel to the Ten Commandments of the Old Testament, the employer appears here as God and the artist duo as Moses, who mediates between him and working mankind. These rules, which are optimal for a capitalist entrepreneur in terms of the hoped-for increase in productivity, weave a narrative of self-optimization that rarely corresponds to reality. In order to create a counterweight to this narrative, the topic of procrastination is taken up and implemented typographically. To this end, strategies of procrastination are adressed, whose general familiarity emphasizes the subversive spirit of Fischli and Weiss and exposes the commandments How To Work Better as an entrepreneurial ideology, although it comes across as idealistically embellished. After all, who wouldn't want to be able to work better? The Ten Commandments for unfocused and inefficient work are an ironic counterpoint that provides a humorous but realistic and not idealistically distorted insight into the work process of people with a lack of concentration and drive. In conclusion, the thesis could be formulated that procrastinating workers more or less consciously evade the compelling logic of exploitation and optimization.