Hyperpanoptical Times is a text installation that thematizes the interface and its inherent dimensions of power. At the same time, it is the interface to the design and power-theory research that precedes it and to the insights and thoughts that are conveyed through it. The installation is not revealed to the viewers through the usual interaction with a graphic user interface, but by the viewers positioning themselves in the space and in relation to its individual manifestations. The installation aims to disrupt, to prompt reflection on the perception of and interaction with interfaces—which is now considered so natural—and to generate new insights from this. This is achieved both on a content level, with the viewers finding themselves confronted with questions, thought experiments, and theses, and on a design level, with the installation becoming an interface that represents its own constructedness.