The eco-critical multimedia installation J'adore Venise examines the entanglement of hyper-tourism, surveillance capitalism, and simulation, focusing on the complex socio-ecosphere of Venice. What happens when tourism becomes the main narrator? When the tourist narrative infiltrates the local economy and becomes the main instrument of place-making? Is the virtual consumption of a space a viable, more sustainable alternative? How can we reformulate the extractive narrative of surveillance capitalism using digital tools to give agency back to local (urban) users and narratives?