In this project, four lectures examine the work and working methods of composer and music theorist John Cage. Based on his thoughts on music, experimentation, and the appropriation of chance, four of Cage’s statements on music theory are taken up and realized typographically rather than musically. This visual and creative continuation of Cage’s work attempts to create an experimental typography that has not yet existed in this form, true to the composer’s statement: “My favorite music is the music I have not yet heard.” All four experiments are based on Cage’s Lecture on Nothing and Lecture on Something. The ‘missing’ lectures—Lecture on Anything and Lecture on Everything—were created as part of the project to complete the series.