In her semester project, the designer explores the intersections of typography and movement, sound and form in seven analog and digital posters. The starting point is experiments with grids, materials, and light sources, which are then digitally developed, animated, and set in motion. Recurring motifs of overlap, transformation, rhythm, and fragmentation connect the works and create new structures that often hover between order and dissolution, between myth and love. This results in visual spaces in which language is broken down into its constituent parts, reassembled, and made tangible as a visual and auditory medium.