“What is the point of legibility if there is no incentive to take note of a text in the first place?” In the late 1960s, tired of the uniformity of Swiss graphic design, graphic designer and typographer Wolfgang Weingart began experimenting with the interplay of photography and typography. He superimposed, condensed, scattered, cut up, and rearranged letters and forms, creating a design canon that diverged from the well-established Swiss style. The fourteen-part typographic poster series Order and Adventure is a tribute to Weingart’s experimental work. Information gathered during the design process in turn influenced the design of the posters, which were then screen-printed.