Sophie Bohne's poster series aims to draw attention to the French philosopher Guy Debord. Although his social and media-critical work, The Society of the Spectacle, was published in 1967, it is more relevant today than ever. The social problems that Debord criticizes read like descriptions of our time—our constant interconnectedness and consumption of impressions. “The whole life of societies in which modern conditions of production prevail appears as an immense collection of spectacles. Everything that was directly experienced has escaped into imagination.” The spectacle is the mass media, which explain the world to us and create the impression of a society connected across space and time. Real life is replaced by a dangerous simulation in which authenticity is displaced. In the spectacle, the economy has taken on a life of its own, and a performance is sold through generated images and ideas. In the search for fulfillment through the consumption of images, ideas, commodities, and interaction with the spectacle, attention itself has become a commodity. With her work, she wants to raise our awareness of our participation in the spectacle—through our constant Instagram scrolling or our ‘watching one YouTube video after another’. Because the spectacle actively changes our perception, interaction, and decision-making.